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Thought Factory

THOUGHT FACTORY: THE NSD AGENDA – SOUL–STRIP…OR DRAMABAZI?

Monojit Lahiri does an interview-based close-up of the contentious issue of training and investigates if it helped actors brea...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: BETWEEN REALITY AND REPRESENTATION

SHUDDHI is an emotional journey, a call to action, and a symbol of hope all in one. It aims to generate renewed discussion on Leprosy. A rare f...

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Powerful People

THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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Business and Politics

THESE CHAMPIONS OF A MODERN INDIA INSPIRED ME IN 2023: RADHIKA KHERA

I, Radhika Khera, will unveil India's modern visionaries, who advocate day after day and against all odds, for the nation that was imagined by ...

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Alternative Entertainment

STAR BENEGA ACTOR? SIMPLE…LAGAO DE-GLAM FACTOR!

Monojit Lahiri examines Bollywood’s fascinating disease about every star’s secret desire to be hailed as an actor....

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Bollywood

REMEMBERING BOLLYWOOD’S GREATEST STAR-ACTOR OF HER GENERATION: SRIDEVI

On the occasion of her sixtieth birthday, 13th August, Monojit Lahiri salutes the memory of the matchless and timeless Ms Hawa...

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Trending

WHY CAN’T SUCCESSFUL TV STARS TRANSIT TO THE BIG SCREEN?

Monojit Lahiri attempts a close-up at the question and figures the answer is yet to be found because the audience views actors...

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Thought Factory

YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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Festivals

JACKIE SHROFF PERFORMS ASHTANGA YOGA AT WWI

With the goal of promoting the importance of yoga in the overall development of students, staff and faculty, Whistling Woods International orga...

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Thought Factory

FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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