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On Watching Ponniyin Selvan

Satyabrata Ghosh reviews PS-1, a Mani Ratnam film, and discusses why such alternate content is of prime importance at a time w...

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Fourth Edition of SamaBhav Ends

The fourth edition of SamaBhav, which ended on 22nd August 2022 in Dhaka Bangladesh has so far traveled to 31different cities and 14 Rural Dist...

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Acting ke peeche kya hai?

The ever-charismatic Madhuri Dixit, in a flashback conversation with Khalid Mohamed on how she perfected the art of acting by ...

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Vikrant Massey: Stardom Wishes this Actor

Aparajita Krishna has a nice long conversation with actor Vikrant Massey – about his growing up years and his evolution ...

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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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