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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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BUSINESS: ROHIT ARYA & WHEN DREAMS TURN DESPERATE

Rohit Arya & When Dreams Turn Desperate, by Sharad Raj, explores the fragile world of struggling actors in India’s film industry&mdas...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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RETROSCOPE: MIRACLE AND ‘THE CURSE’ OF JAI SANTOSHI MAA

Khalid Mohamed looks back at 1975, the year of Sholay and the miraculous success of Jai Santoshi Maa and its aftermath — a cinematic cont...

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BOLLYWOOD: SUNNY SANSKARI KI TULSI KUMARI

Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion): A formula-driven rom-com that leans on wedding cha...

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THOUGHT FACTORY: MEDIA SHAPES MINDS AND MEMORIES

From Storytelling to Learning: How Media Shapes Minds and Memories, Deepa Bhalerao explores Hum Log, Entertainment-Education, ...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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THOUGHT FACTORY: RONA MANA HAI!!

Monojit Lahiri wonders whether, in an age when the price of everything is skyrocketing, the role, relevance and value of grief...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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THOUGHT FACTORY: STILL TELLING STORIES, STILL SHUT OUT

While women actors over 40 are reclaiming space on screen, the Indian film industry continues to marginalize women creators—writers, dire...

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