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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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THE NEED OF THE HOUR: TUSHAR ARUN GANDHI

In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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AB@80me@61

Aparajita Krishna writes a letter to Amitabh Bachchan, recalling her relationship with him while she was growing up over the y...

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FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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Women in Cinema Collective: A Work In Progress

“An actress was a person who could never own herself,” writes Janaky Sreedharan in her piece about the role played...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Making films is my coping mechanism: Shabnam Sukhdev

Here’s Vinta Nanda in conversation with documentary filmmaker Shabnam Sukhdev, who just completed her short film titled ...

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The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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