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THE MAGIC OF CHALTI KA NAAM HAI GAADI

Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...

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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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Whose Wedding Is It Anyway?

What is between recent popular Malayalam flicks and the wedding eve ceremonies in the bride’s house, asks...

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Deepika, Madhuri, Alia, Vidya, Shefali – Women-centric films explode!

Will the recent whammos unleashed from these female big-hitters trigger more of the same? Monojit Lahiri attempts a checkout.&...

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Back on the Burning Train

Film historian Dhruv Somani, takes you back on a ride to India’s first disaster movie directed by Ravi Chopra, which had...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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Director’s Cut

Film historian Dhruv Somani, pens a tribute to the late producer-director Ravi Tandon, who had kept a low profile throughout h...

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Evolution of Pakistani TV Shows– Part 2

After receiving a great response on the first episode of Read More

HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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Bringing up Baby

On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywoo...

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