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POLITICS: INJUSTICES AND MISINFORMATION

Humra Quraishi comments on the troubling times lying ahead because accountability and transparency usually practiced by author...

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BOLLYWOOD: ALL ABOUT REMAKES AND SEQUELS

As Bade Miyan Chhote Miyan and Love Sex Aur Dhokha 2 are set to release, with both films evoking titles of films made earlier, Shantanu...

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KALEIDOSCOPE: QUEER VOICES FROM THE PERIPHERY

Utpal Datta makes a sensitive attempt to hear the unheard ‘third voice’ and reviews Dr Kaustubh Padmapani’s ...

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POWERFUL PEOPLE: A FEW MILES ON THE BHARAT JODO YATRA

Mumbai-based writer and journalist Dilip D'Souza, celebrated for his incisive commentary on social and political issues, engag...

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ALTERNATIVE ENTERTAINMENT: REALISM OF THE MATERIALISTIC WORLDVIEW

Sharad Raj explores the evolution of realism in Indian cinema, its many forms and structures, and the deviations in its style ...

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TRENDING: A CATASTROPHIC TURNING POINT

The arrest of Delhi's Chief Minister and AAP leader, Arvind Kejriwal, represents a catastrophic turning point for the ruling Right-Wing governm...

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FESTIVALS: LIVE THE LIFE ABUNDANT “ONE GREEN PLANET”

There was a time when I would jokingly respond to the standard question by the host replying, ”No. I am a strict non-vegetarian&rdqu...

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BUSINESS: THE MANUFACTURED KISS

It’s Sohaila Kapur today, in conversation with Neha Vyaso, an Intimacy Director in Bollywood. “She’s the fir...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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