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PAINTING THE TOWN RED: VANI TRIPATHI TIKOO

Vinta Nanda talks to Vani Tripathi Tikoo about her recently published book, Why Can’t Elephants Be Red?, and about other things.

Akku, the pr...

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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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DOES DAZZLING BEAUTY HIJACK TALENT?

Monojit Lahiri investigates the conundrum surrounding beauty and brains, in real and in real life, that has been going on...

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About Politicians Switching Sides Mid-term

The recent split in the Shiv Sena and the walk over that followed raises some important questions. Various professionals speak to ...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

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Mein hoon PIO!

Farrukh Dhondy observes Indian media in foreign countries and the hype it creates over events there, however, concluding that ...

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Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.