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Memories of an advertising man…

In this fascinating first-person-account, Monojit Lahiri, known for his Bollywood-driven opinion pieces, tracks the changing c...

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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Being Rita Hayworth (October 17 1918 to May 14 1987)

How Rita Hayworth has motivated him to write noir and how he cannot completely discard Oedipal undertones in hi...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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A pioneer, a frontierswoman at heart: Presenting Anupama Mandloi

One of the most significant outcomes of my having started The Daily Eye, which is an online publication specifically targeted to conte...

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The Staging of DEEWAR in India 2018

Prithvi Theatre opened to the public on a day in 1978, forty years ago. It is today an address that apart from being ...

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Rani Mukerji hoists National Flag at the Indian Film Festival of Melbourne 2018

The beloved Rani Mukerji is currently in Melbourne for the prestigious Indian Film Festival of Melbourne 2018 (...

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The King: An Exceptional Documentary on Elvis Presley and the American Dream

Eugene Jarecki doesn’t do small stories. The documentary director calls himself “a big-game hunter&...

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Lost in Space: A Strong Foothold in Infinity

Whether it’s through memes or scoops - Elon Musk’s car in space or his vision of a Mars colony unti...

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