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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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The Sound of Dubbing

Film historian Dhruv Somani discusses how and why top Bollywood actors down the years, have been ghost-voiced by dubbing artis...

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How to go bonkers

Khalid Mohamed reviews Bollywood’s alleged ghost story Roohi, the Tamil super surprise packet Mandela… and the co...

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They stand united now

The unity program initiated by farm leaders can take the shape of a cultural revolution in rural north India, writes Kancha Ilaiah Shep...

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Desperately Seeking Kim

Film historian Dhruv Somani, tracks down Kim who had vanished from the Bollywood scene, for an exclusive, freewheeling chat-fe...

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Signs of the times: You’re changing

Humra  Quraishi wonders if the bleak days will continue with new strains of the corona and the communal virus spreading.<...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Abuli Mamaji is Nikhil Pherwani’s Ahaan

Vinta Nanda writes: For once a film centered on a person differently abled is not about the so-called normally-abled character...

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Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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Goodfellas: The patriarchal architecture of the mafia world

Goodfellas is considered to be one of the greatest gangster films ever, writes Sharad Raj.