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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultTRENDING: IS APNA TIME AAGAYA HERE?
Monojit Lahiri focuses on this new movement triggered by OTT? relating to actors finally emerging from the tyrannical shadows ...
Read MoreBOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s
It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...
Read MoreINDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR
In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...
Read MoreART HOUSE: THINKING ABOUT JAANE BHI DO YAARO
Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...
Read MoreSEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?
It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...
Read MoreREMEMBERING THE UNFORGETTABLE SMITA PATIL





Manojit Lahiri pays tribute to Shyam Benegal’s smoldering discovery, the only Asian cine-star who had the honor of a Ret...
Read MoreTHE BEST MALE ACTORS OF 2023: DEEPAK QAZIR
An actor having worked in the current year is insignificant when selecting the best among them, because cinematic appreciation transcends time, writes Deepak Qazir....
Read MoreTHE BEST FEMALE ACTORS OF 2023: TINAA GHAAI
This week-long series brings to you, next, the best of 2023 through the eyes of another among the very influential in Bollywood. Actor and Exec...
Read MoreFILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?
Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...
Read MoreWHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES
Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...
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