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SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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THE STORYTELLERS AND MUCH MORE

“Powerful words of two stellar artists, Zen Dot and Dini Parayitam, have stitched together this fabulous interview, which clearly mirrors...

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ATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS

India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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IMPUNITY FOR ABUSERS, PUNISHMENT FOR VICTIMS

Comments of the BJP MP from South Delhi made in the Lok Sabha during the special session in the new parliament building, reveal the utter decay...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.

AUCTION OF VINTAGE POSTERS OF BENGALI CINEMA, RAY

From Pather Panchali to Kabuliwala, from Devi to Ghare Bhaire – it’s an unsurpassed Collection, reports The Daily Eye #News...

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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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