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Soundman’s debut directorial venture wins applause

A titular documentary on his daily routine has just won the Second Best Documentary award at the 7th Bengal International Short Film Festival (...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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The Caravans Of Movement

Humra Quraishi writes, “The World Refugee day, on the 20th of June, is not too far away. It’s time for ...

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Bengal in Bengaluru: The Kolaj Bengal Film Festival

The first edition of the Kolaj Bengali Film Festival was a welcome effort in getting Bengali films a national reach. Shantanu Ray Chaud...

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AMITABH BACHCHAN AND THE ANGRY YOUNG MAN

One of the biggest box-office failures of the superstar’s career, Alaap boasts one of his subtlest performances and, arguably, the best m...

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That Mughal Touch

Film historian Dhruv Somani, catches up with Akbar Khan, for a conversation about the actor-producer-director’s yesterda...

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The Oscar Rosters 2022 - A Post Hoc Analysis

A detailed, spoiler free analysis of Oscar nominees and winners, with commendations on why some won, and regrets on why some didn’t, by <...

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Cinema: A Lifetime Impact

An Art form, a masterpiece., pretentious nonsense, a waste of time and a passion, writes Shourya Sinha, as he deconstructs wha...

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Is Shaadi, Barbaadi??

\Whatever happened to the pavitra bandhan that symbolised this revered bonding? Why does the M word evoke such deep suspicion, apprehension and...

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50 years of "The Godfather"

The Corleone’s and the poetry of Crime is what Sharad Raj examines after watching The Godfather for the nth time on the ...

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