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Search Result
Search ResultKEECHAR VERSUS GULAL
Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...
Read MoreYET ANOTHER STORY BESIDES PATHAAN
Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...
Read MoreJAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...
Read MoreABOUT BRINGING GURU DUTT TO BENGALI READERS
Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....
Read MoreKANTARA, GANGUBAI, KUNCHACKO BOBAN, ALIA BHATT RATED BEST OF 2022
Indian Film Institute (IFI) has announced its annual ratings of the best films and best male and female actors of 2022, reports The Dai...
Read MoreNOW GAJRA KOTTARY SPEAKS TO VIEWERS, READERS & LISTENERS
The versatile author and screenwriter Gajra Kottary spoke to Shantanu Ray Chaudhuri on the demands of an audi...
Read MoreDR BRIJESHWAR SINGH’S CALENDAR YEAR
Aparajita Krishna interviews Dr Brijeshwar Singh, one of the best known orthopaedic surgeons of Uttar Pradesh and understands ...
Read MoreUGETSU MONOGATARI: THE MIZOGUCHI TREASURE
The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...
Read MoreMAHABALI: M. K. Raina’s Theatre!
Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...
Read MoreFASHION ‘DRISHYAM’ of HINDI FILMS 1970s!
Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...
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