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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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WHY CAN’T SUCCESSFUL TV STARS TRANSIT TO THE BIG SCREEN?
Monojit Lahiri attempts a close-up at the question and figures the answer is yet to be found because the audience views actors...
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THE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
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THE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
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HOW CAN YOU CELEBRATE WHEN YOUR COUNTRY BURNS?
The video surfacing reveals the torture and humiliation that not just the two women faced but thousands in Manipur have while the government re...
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LOVE AND SURVIVAL IN THE WAR ZONE
Humra Quraishi observes the events over the last week and asks this question: Where’s the so-called development when ent...
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TAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
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LIMERICS AND THE TROUBLED TIMES OF FASCISM
Humra Quraishi writes about Khushwant Singh, who was far sighted and told her, before he passed away in 2014, that he wa...
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PREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…
I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...
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A MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED
Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...
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WILL WE TRUST EACH OTHER AFTER THE WAR?
This week Humra Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...
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