POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

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KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

ALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY

Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

THOUGHT FACTORY: BOLLYWOOD GRAPPLES WITH DISABILITY

Portrayal of differently abled in Bollywood: Tokenism? Caricature? Empowerment? There are no easy answers because disability in Bollywood cinem...

KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP

Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...

MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

BOLLYWOOD: LOVE TRIUMPHS IN SAIYAARA AGAIN

A surprise hit, Saiyaara blends old-school romance with modern aesthetics, reviving the “forever love” narrative in an age...

BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...