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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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URMI JUVEKAR: The Storyteller

Aparajita Krishna deep dives to writer Urmi Juvekar’s life and journey as a creative force and returns from the immersiv...

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The Shalimar Adventure

Film historian Dhruv Somani rewinds to the 1978 heist thriller, the international co-production Shalimar, as its charismatic h...

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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No Country For Minorities

Humra Quraishi points out the double standards adopted by the state when dealing with minorities in India.

Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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The Ghost of Flaherty

Thinking in retrospect, it is most likely that it was during the shooting of this sequence that the ghost of Robert Flaherty started to hover around me, writes Ramchandra P...

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Religious Festivals: Sponsored or Reality Shows?

Today, as we once again step into puja mode in this year of 2022, do we feel somewhere, somehow, a change in the puja celebrations, wonders Monojit Lahiri....

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THE TOWERING TRIUMVERATE & THE TERRIFIC TRIO

Dilip-Dev-Raj or Aamir-Salman-Shah Rukh? Monojit Lahiri invites readers to go for it while he attempts to objectively analyze ...

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KASHISH QDrishti Film Grant 2022

KASHISH QDrishti Film Grant offers production grants and mentoring to LGBTQIA+ filmmakers to make their queer short films. This year the amount...

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