Search Result

Search Result

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

Read More

Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

Read More

Those magical tours

Rumi Taraporevala travels back in time, to recapture the joy of the iconic Lala Tours of Bombay, conducted by St. Xavier&rsquo...

Read More

Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS an...

Read More

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

Read More

The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

Read More

Decoding Shakespeare drama through fate

Neil Banerjee retrospects on the literature of Shakespeare on his 405Read More

Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

Read More

Those Guilty Pleasures

Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today.

Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

Read More