DIARIES: WHISTLING WOODS INTERNATIONAL

There’s so much going on at Whistling Woods International that it’s hard to keep track, but we’re trying our best to tell you...

Queen Bee

Rani Mukerji in a light-hearted banter with Khalid Mohamed.

Back in the last century, in ...

Nidravatwam: Between sleep and wakefulness

Janaky Sreedharan believes Nidravatwam was a brilliant initiation into the language and aesthetics of theater conceptualized b...

Those Fashion Classics

Khalid Mohamed sizes up Hollywood’s retro-chic, which continues to be the stuff that timeless fashion statements are mad...

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

Reasons For My Angry Song

\Humra Quraishi recalls the days of the past when the Muslims didn’t live in fear and the Hindus were kind, courteous an...

Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

Satyajit Ray: The man who knew too much

In a new book, Barun Chanda, who acted in Satyajit Ray’s Seemabaddha, goes down memory lane about his experiences of working with Ray. Sh...

Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...