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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Scent of Music: AR Rahman

Khalid Mohamed rewinds to one of his chatty conversations with the Mozart of Madras.

When...

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ART SALUTES WORKERS

Khalid Mohamed writes on the imperative need for Indian artists to express  their strong views on the state of nation und...

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The Power - Jaideep Ahlawat

Khalid Mohamed in conversation with Jaideep Ahlawat, the actor who’s the talk of the town with his outstanding performan...

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Pupils of a lesser God

Zuhaib, a student of mass communication at Jamia Millia Islamia University says that because of the lockdown all his classes are now online. Hi...

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Are you woke?

Just like the rest of you, I’ve also been sitting at home, working when possible and consuming news on television, social media and the occasional newspaper, which ge...

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Goodbye Irrfan Khan

I still remember the first time I met Irrfan Khan. It was at Navnit Nishaan’s house at a dinner she had hosted when we were making the se...

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Count your blessings: name them One by One

Roads utterly empty, except for a stray vehicle here and there, I proceeded to drive towards the vet’s clinic. Lucy Diamond needed to see...

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Witchy Brew

In common usage, the word chudail describes an aggressive or quarrelsome woman—could be said to be the Indian equivalent of bitch.  ...

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As The Crow Flies

A materialistic western society is taken up by Mary Kondo, who teaches them how to unclutter and simplify their lives. The idea is not new; alm...

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