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Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

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As messy as it gets

Khalid Mohamed reviews Dolly Kitty Aur Woh Chamakte Sitare and the multiple Emmy Primetime Awa...

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Salim Arif: His Work of Many Parts

It is a daunting task to undertake summarising Salim Arif’s multifaceted talent and work resume in a few pages, writes ...

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From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Ways of seeing Mumbai

A photo-essay by Megh Bhavsar on the city as perceived through the eye of his camera. Text Edited by: Khalid Mohamed <...

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Voices: Where the mind is without fear

On India’s Independence Day, Monarose Sheila Pereira speaks to several people to understand their perspective on freedom...

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Of Borders and Boundaries

In a short conversation with Selina Sheth, the Indian-born writer-director Vikram Zutshi, talks of his need t...

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Seema Kohli: From the canvas of her life and art

Aparajita Krishna deep dives to Seema Kohli’s work and brings to you her thoughts, which influence her art.

My Darkest Time

In this long-short personal story of having overcome a big challenge, Gaurav Jain says, “When you break your leg, you kn...

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