Queen of OTT: Radhika Apte

Radhika Apte clearly outpaced all her competitors and peers in the OTT space to top the Indian Institute of Human Brands (IIHB) Report just rel...

Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

Blast from the past…

Film historian, Dhruv Somani, in a chat fest with yesteryear’s feisty Asha Sachdev - she carved her acting career on her...

From Bad Man to Matinee Men

Vinta Nanda crosses over from 2020 and opens 2021 with this interesting conversation with Roshmila Bhattacharya - about her bo...

IT’S APPY NEW YEAR AND A BOUQUET OF TALKS

Here’s another in her series of a bouquet of talks, by Aparajita Krishna. This time she converses with Manmohan Shetty, Govind Nihalani, ...

The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

Short-changed in life

Film historian, Dhruv Somani, recollects the tragic story of the charismatic star Priya Rajvansh, who if she were alive would ...

In gentle streets where people play

I first met Suryaveer (it tickles my Panjabiat to call him Veera) in the year 2004, writes Vinta Nanda

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