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UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

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CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

THE GERSON DACUNHA DIARIES

On the 7th of January, his first death anniversary, we remember Gerson Dacunha through one of his last conversations with Ni...

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THE ZEN NOT REACHED

Neil Banerjee looks at the Government’s vehicle scrapping policy, odd-even policy to fight pollution in Delhi, and demon...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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MASKS ON, CARRY ON

Dr Kishore P. Madhwani writes on how not to worry and combat the possibility of the spread of the new COVID variant BF.7.

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UNCERTAIN TIMES AHEAD

Humra Quraishi has a view on the uncertainties that loom large upon the masses, as the government of the day remains more focu...

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THE TIMELESS CHARMER

Monojit Lahiri offers a personalized tribute to the charming actor Shashi Kapoor, whose good looks remain unmatched even today...

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A QUESTION MARK IN THE FACE OF A COLLECTIVE LIE

Humra  Quraishi questions the many lies, when too often said aloud, and made out as propaganda, seems to sound like the t...

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Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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