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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultPOWERFUL PEOPLE: PRESERVING THE ART OF STORYTELLING
Khalid Mohamed interviews Danish Husain on his such a long journey from a banker to an artful storyteller in ...
Read MoreFESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?
Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...
Read MoreFESTIVALS: CELEBRATING HERITAGE, STORYTELLING, CULTURE
From Mumbai’s vibrant ode to India’s weaving legacy on National Handloom Day to Bengaluru’s Oscar-accredited short film showc...
Read MoreALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION
Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...
Read MoreBOLLYWOOD: 50 YEARS OF ‘SHOLAY’
Sholay is 50 on 15th August 2025 — a film that has stood the test of time like no other in Indian cinema. Monojit Lahiri...
Read MoreRETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG
On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...
Read MorePOWERFUL PEOPLE: ‘I’M EVERY WOMAN’
Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback
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THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS
“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...
Read MoreBOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE
This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...
Read MoreRETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER
Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...
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