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Gender

GENDER: CIVIL SOCIETY DEMANDS KERALA FILM REFORMS

Eminent civil society members, including activists, authors, and journalists, appeal to Kerala's Chief Minister for immediate action following ...

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Kaleidoscope

KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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Bollywood

BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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Bollywood

BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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Thought Factory

THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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Bollywood

BOLLYWOOD: THE ENIGMATIC CINEMA OF THE 1980s

It’s easy that calling the 1980s the worst decade for films and music might be a conveniently casual remark for those who do not want to ...

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Alternative Entertainment

TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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Alternative Entertainment

SALUTING SATYAJIT RAY’S UNIQUE HEROES

Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...

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Gender

STOP CALLING ME AN ACTRESS - I AM AN ACTOR!

Does calling actresses 'actors' robs them of their iconic glamour? Or is it a much-needed step to head towards a gender-neutral world? Read thi...

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Bollywood

NOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES

Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...

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