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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Frankly Speaking

Film historian Dhruv Somani, tracks down Ranjeeta, who had wowed the audiences with major hits like Laila Majnu, Ankhiyon ke J...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertine...

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Ghost ghost na raha

Khalid Mohamed strives to sit patiently through the season’s supposed scarefest, Durgamati - the oddball series Bhaag Be...

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Where Time Stands Still

Novelist and writer, Adithi Rao, pens a tribute to the famed Mount Carmel College of Bangalore, alma mater to Margaret Alva, D...

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Hard Day’s Night

Film historian Dhruv Somani, clocks into Bollywood films, which were set in a tension-packed time frame of 24 hours.

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Shot by shot

A photo-essay by ace photographer Subi Samuel of  Sushmita Sen, a woman of strength and substance.

It must have been around 1996, a little bef...

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Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

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Anwesha Arya: The Miracle Woman

In times when many of Bollywood boys and girls are under the scanner, Vinta Nanda interviews Anwesha Arya &nd...

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