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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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BOLLYWOOD: LOVE IN THE TIME OF URBAN CHAOS

Metro… In Dino is a poetic exploration of modern love, weaving six urban stories through seasons, cities, and souls—captu...

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FESTIVALS: CHESS MOVES AND SILENT TRUTHS

Amidst monsoon whispers over Versova, WIFF’s June showcase spotlighted brave short films—The Pawn of Marottichal a...

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ALTERNATIVE ENTERTAINMENT: TWO RIVERS, ONE JOURNEY

Celestina and Lawrence explores post-demonetization India through the intertwined lives of two tribal migrants, looking at urban alienation, id...

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MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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ALTERNATIVE ENTERTAINMENT: THE WORLD OF SATYAJIT RAY

A personal journey into the timeless world of Satyajit Ray—where childhood, cinema, and culture intertwine, revealing how the legendary f...

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ALTERNATIVE ENTERTAINMENT: “I WANT TO TALK” AND EMOTIONAL IMAGINATION

I Want To Talk redefines emotion in Indian cinema, breaking away from mainstream conventions to offer a deeply immersive experience where viewe...

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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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