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SAD TIMES…

Humra  Quraishi reports on mindless encounters taking place in UP and harks to understand why they have almost become the...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

Decoding the chemistry: Uttam-Suchitra

Satyabrata Ghosh discusses the symbioses between the people at the two ends of the camera during the filming and after it, whi...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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FROM MERE MEHBOOB TO FEVICOL

Bollywood’s amazing lyrics story down the decades - Monojit Lahiri lays it on the line.

STILL FACES RUN DEEP

Kamlesh Pandey harks back ten years and mines into an interview he did with Amitabh Bachchan, to bring his genius to fore and ...

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The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

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No Country For Minorities

Humra Quraishi points out the double standards adopted by the state when dealing with minorities in India.

A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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