BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3^rd August, Shantanu Ray Chaudhuri remembers the uns...

THOUGHT FACTORY: WHY MARRIAGE SCARES YOUNG LOVERS

“Love me?” Like mad! “Marry me?” Mad!! Whatever happened to the pavitra bandhan that symbolised this r...

RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

ALTERNATIVE ENTERTAINMENT: THE HUNT - A HAUNTING MASTERPIECE

SonyLIV’s The Hunt reframes political storytelling with restraint and realism, offering a gripping, almost meditative investigat...

BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...