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TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

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THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

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FAR FROM HONEST, SAY VOTERS - DEMAND TRANSPARENCY

Humra  Quraishi comments on the dissatisfaction of Indian voters with EVMs and explains how transparency can be achieved ...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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A WORLD SCARRED BY BULLETS

I realize that for over five weeks now I’ve commented only about Palestinians and the ground realities of Gaza, writes Humra...

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RANGAYAN ON THE JURY OF TWO SEATTLE FILM FESTIVALS

Sridhar Rangayan will screen three of his films at Tasveer South Asian Film Festival, also serve as jury. Besides that, he is member of jury at...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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BETTER ROSES FOR A WARMING WORLD AND OTHER GARDEN ADVENTURES

Manipur is burning and its despair all around. But here’s an extract from the book ‘Roses in the Fire of Spring’, which will ...

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TAMAS: THE LIGHT OF TAMAS

Aparajita Krishna writes,35 years after it lit India’s television screen and cinema, I am herei...

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PREJUDICE, DISCRIMINATION, HATE, ELECTIONS, VOTES…

I cannot dare describe the poisonous propaganda unleashed by the Hindutva lobbies, the myths, misconceptions and twisted lies that are in circu...

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