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Business and Politics

FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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Business and Politics

THE LAST LANGUAGE OF DEMOCRACY

As Sonam Wangchuk's fast enters its twentieth day, this essay examines hunger strikes worldwide, democratic dissent, capitalis...

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Kaleidoscope

CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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Bollywood

PRITAM AND PEDRO REVIEW VERDICT

A convention-bound cyber thriller that never quite acquires the unmistakable Hirani magic. Despite capable performances, P...

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Bollywood

WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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Bollywood

COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...

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Bollywood

A STORY BURIED BENEATH PARTITION'S ASHES

Arnab Banerjee examines Imtiaz Ali's Main Vaapas Aaunga, a poignant Partition-era drama exploring memory, displacemen...

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Thought Factory

SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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Business and Politics

COCKROACH GENERATION CHALLENGES SILENCE

A viral digital movement inspired by a controversial judicial remark transformed into a youth-led expression of dissent, questioning power, dem...

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Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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