PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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ILA ARUN: GIVING VOICE TO LIFE

Ila Arun is a woman of many parts and one who is in command of all of them. She has a contagious zest for life, writes Aparajita Krishna <...

ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

Father’s Day: Is It A Royal Phus?

Why does Mother’s Day get more importance than Father’s Day? Monojit Lahiri attempts to investigate the na-insafi....

Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

Salty and Spicy

Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982).

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...