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Thought Factory

THOUGHT FACTORY: THE IRONY OF CANNES ‘24

This is India’s clean sweep, with no credit to India at all! Monojit Lahiri tries to explain why confusion is confounded...

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Trending

TRENDING: HSNC UNIVERSITY'S INTERDISCIPLINARY APPROACH TO LIBERAL STUDIES

Discover how HSNC University's Masters in Liberal Studies cultivates socially conscious citizens, with a commitment to democratic values and co...

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Kaleidoscope

KALEIDOSCOPE: THE THIRD SKY IS AN ANTHOLOGY OF QUEER STORIES FROM ASSAM

A Fresh Perspective on Queer Studies in Assamese: ‘Tritiya Akash’. Utpal Datta introduces this unique anthology of...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: CRAFTSMANSHIP AND FORM

Towards the non-bourgeoise tales from screen and stage: Amar Singh Chamkila and Lavani ke Rang are explored here by filmmaker Sharad Ra...

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Bollywood

BOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR

Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...

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Kaleidoscope

KALEIDOSCOPE: BREATHING LIFE INTO A SONG

Tarali’s musical experiment with Anup Baruah is what Utpal Datta visits this week to explore what it took the singer, ly...

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Trending

TRENDING: WELCOME TO ‘OK, TATA BYE BYE’

Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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Festivals

FESTIVALS: CRAFTING COMPELLING NARRATIVES

The annual workshop featured guest speakers including Subhash Ghai, Ishita Moitra, Raj Nidimoru, Shridhar Raghavan, Abbas Tyrewala, Durgesh Sin...

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Powerful People

POWERFUL PEOPLE: AN EXCLUSIVE CONVERSATION ABOUT HARMONISING CREATIVITY

Working with Dhruv Ghanekar on the background score for my film White Noise (2005), produced by Mozez Singh and Sevy Ali, was a powerful experi...

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