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ARUNDHATI GANORKAR: IN BEAUTIFUL REFLECTION!

Aparajita Krishna has a past with Arundhati Ganorkar, they worked on a series, and together, they walk down memory lane to bri...

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THE TIMELESS CHARMER

Monojit Lahiri offers a personalized tribute to the charming actor Shashi Kapoor, whose good looks remain unmatched even today...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

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From King Lear to The Image Book: Jean-Luc Godard

The year was 1989, a print of Jean-Luc Godard's latest film, King Lear, an adaptation of William Shakespear's well known play was received by t...

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The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

Of the People

Khalid Mohamed writes on why he could never attempt a biography or documentary on his mentor and first employer, Basu Chatterj...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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DOES WATCHING ART-HOUSE CINEMA RAISE YOUR SOCIAL STATUS?

Now that the Kolkata Film Festival is done and dusted, Monojit Lahiri does a checkout on this contentious issue.   Read More

Those Haunting Melodies

Film historian Dhruv Somani, laments the end of the mel...

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