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BOLLYWOOD: ARYAN KHAN BREAKS BOLLYWOOD RULES

“I am in love with your wife (Maya)!” — a line from Kabhi Alvida Naa Kehna becomes the metaphorical cue for Aryan Khan’...

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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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BOLLYWOOD: FIRE, FOLKLORE, FLIGHT, AND FEAR

A Many-Splendored Tale of Magic, Memory, and Myth:  Raam Reddy’s Jugnuma fuses magical realism, myth, and ...

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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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ALTERNATIVE ENTERTAINMENT: A DIP INTO THE RIVER OF FEMALE DESIRE

Writer-director Nidhi Saxena’s second film, Secret of a Mountain Serpent, is an exquisite piece of cinema that blurs the line between the...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

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RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3rd August, Shantanu Ray Chaudhuri remembers the uns...

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BOLLYWOOD: THIS WEEK, TWO WORLDS COLLIDE

This week in Indian cinema, two films explore love across divides—Dhadak 2 confronts caste and heartbreak with sober sincerity, ...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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