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RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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FESTIVALS: CELEBRATING 25 YEARS OF ARTISTIC SPLENDOUR

Salim Asgarally, Deepa Gahlot and I experienced Mumbai's vibrant heartbeat at Kala Ghoda Arts Festival 2025—where heritage meets creativi...

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FESTIVALS: A CELEBRATION OF FIBRE ART

Milaaya Art Gallery: Pioneering Fibre Art in India, redefining traditional embroidery as fine art, preserving heritage crafts, empowering artis...

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BUSINESS: HOW INDIAN IS INDIAN ADVERTISING?

As pride, identity and profiling increasingly come into play at the global level, questions will follow: Have we been able to define where Indi...

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FESTIVALS: A JOURNEY INTO NATURE AND ABSTRACTION

Discover the hidden beauty of nature through Gerardo Korn’s transformative art at Cosmic Heart Gallery’s Curling Ribbons, ...

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FESTIVALS: TRADITION MEETS INNOVATION  

Whistling Woods International Fashion & Costume Design students presented a dazzling blend of traditional artistry and modern innovation at...

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FESTIVALS: THE CHANGING FACE OF DURGA PUJA

Religious Fest? Reality Show? Sponsored Program? A little of all these? Monojit Lahiri lays it on the line, examining how Durg...

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GENDER: THE PROBLEM WITH FFI'S CITATION ON LAAPATA LADIES

Examining the Complex Narratives of Women in Cinema: 'Laapata Ladies' Sparks Debate on Gender Roles, Patriarchy, and India's Oscar Selection Pr...

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POLITICS: ONE-SIDED MEDIA NARRATIVES

Going by the events around the time the Shah Bano verdict was overturned, Vinta Nanda examines Rajiv Gandhi’s rationale,...

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A BEFITTING SWANSONG

This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan

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