KALEIDOSCOPE: ARUN KHOPKAR’S CHALAT CHITRAVYOOH IN TRANSLATION

Exploring Arun Khopkar’s reflections on cinema, creativity, and collaboration, this piece by Satyabrata Ghosh who has translated the book in Bengali,...

POWERFUL PEOPLE: ISHAA VINOD CHOPRA’S JOURNEY SO FAR…

In this interview, I go deeper into Ishaa's experiences, her journey towards self-acceptance, and her vision for the future, as she works to b...

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POLITICS: DISTORTING HISTORY AND SPREADING HATE

Textbooks are increasingly misrepresenting with deletions and distortions altering historical facts. This alarming trend, with targeted violenc...

KALEIDOSCOPE: CINE-INTERIORS BY DEVDUTT TRIVEDI

Devdutt Trivedi, a film scholar, reassesses Mani Kaul's cinema in his book "Cine-Interiors: The Films Of Mani Kaul," which is reviewed by Read More

A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

THE DIVERSE REALM OF ART HOUSE CINEMA

Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...

FROM…PHOOLON KI RAANI, BAHARON KI MALLIKA…TO CHOLI KE PEECHE KYA HAI?!

Bollywood’s amazing story of lyricists and lyrics down the decades - Monojit Lahiri lays it on the line.  

TORN BETWEEN TWO IDEOLOGIES – RAM RAJYA AND RAVAN RAJ

An excerpt from the book Mandodari, by Koral Dasgupta, released at Kitab Khana Mumbai with a conversation between the author and Avantika Bahug...

‘KAIFI AUR MAIN’ KI KAIFIYAT

‘कैफ़ी और मैं’ की...