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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultMARDAANI 3 RETURNS WITH GRIT AND LIMITS
In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...
Read MoreSUCHITRA SEN: THE STAR WHO CHOSE SILENCE
On her 12th death anniversary, Monojit Lahiri recalls the mystique, magnetism and unmatched romance of Suchitra Sen—Beng...
Read MoreREVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS
The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...
Read MoreBOLLYWOOD: AKSHAYE KHANNA, ECHOES OF BRANDO
Monojit Lahiri investigates how Akshaye Khanna’s fiercely private stardom, selective choices, artistic ...
Read MoreTHOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES
A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...
Read MoreRETROSCOPE: LOOKING BACK AT WHAT ENDURES
A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...
Read MoreBOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE
A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...
Read MoreTRENDING: A YEAR THAT CHOSE MEANING OVER NOISE
2025 was a year when activism, cinema and conversations around music quietly—but decisively—shaped what truly mattered. At The ...
Read MoreKALEIDOSCOPE 2025: WINDOWS INTO A PLURAL IMAGINATION
Across cinema, literature, art, theatre, reportage, pedagogy, and memory, Kaleidoscope 2025 charted The Daily Eye’s comm...
Read MoreRETROSCOPE: THE FLAME THAT STILL BURNS
When Smita Patil Breathed Her Last On The Midnight Of December 13, 1986, The World Of Cinema In General And Indian Cinema In P...
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