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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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CASTE, RELIGION AND LEARNING GAPS

In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Qur...

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FASHION ‘DRISHYAM’ of HINDI FILMS 1970s!

Aparajita Krishna tours the Hindi cinema fashion world of the 1970s and places it in context to the way we interpret fashion i...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

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Diamonds Are Forever

Film historian Dhruv Somani rewinds fondly to Hum Kisise Kum Naheen (1977), the last huge hit of the pure entertainer, produce...

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SUNNY SIDE UP

Khalid Mohamed pulls out a rare interview with Sunny Deol to afford a glimpse into the mindspace and acting credo of the usual...

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The Religion, Caste & Poverty Discussion

In continuation of what she’s written earlier, Humra Quraishi is focusing on the young in context to the horrific commun...

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