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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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An Ode to the Willow

Monojit Lahiri flashbacks to a time, far away and long ago – way before the madness of social media crazed popular imagi...

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Death of the language and a metaphor

Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the c...

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Animal Kingdom

A throwback by film historian Dhruv Somani, to the Bollywood movies in which wonder animals would prove to be proverbial scene...

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Man of Miracles

Khalid Mohamed misses the wonder director Manmohan Desai, whose ultimate ode to secularism, Amar Akbar Anthony, is such a perf...

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Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Those Guilty Pleasures

Film historian Dhruv Somani, writes on those traditional mandatory things we sorely miss in the movies today.

Pravesh Sippy: Never in Dire Straits

Water of love deep in the ground/But there ain’t no water here to be found/Some day baby when the river runs free/It's gonna carry that w...

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Sign of the times: Silencing Zillennials

Humra Quraishi expresses anguish at the systematic crushing of dissent among the young generations today.

Sex, lies and web chats

Khalid Mohamed reviews the widely-lionised Malayalam film C U Soon, Yaara an exhibition of bare chests-‘n’-bespoke...

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