POWERFUL PEOPLE: THE POET IMPRESSIONIST

On the occasion of the 58^th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...

FESTIVALS: CRAFTING COMPELLING NARRATIVES

The annual workshop featured guest speakers including Subhash Ghai, Ishita Moitra, Raj Nidimoru, Shridhar Raghavan, Abbas Tyrewala, Durgesh Sin...

BUSINESS: SPEAK MEMORY!

Monojit Lahiri dumps Bollywood and flashbacks into his life and times in the world of advertising.

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INDEPENDENT FILM: THE STORY OF A YOUNG BOY IN KASHMIR

In conflict-ravaged Kashmir, Adnan, a young boy from a lower middle-class family, stretches himself beyond limits to earn a smile on his blind ...

ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

TRENDING: MASCULINITY AND MANIPULATIONS DOMINATE

Films were never meant to be a medium to express hate against women, religion, community, or dissenting voices. Lately, however, Indian films a...

THE COURAGE AND CONVICTION OF SAIF HYDER HASAN

After seeing the film YES PAPA, story of a victim of child sexual abuse at the hands of her father, Vinta Nanda has a conversa...

SEEN ROMANTIC LOVE IN B-TOWN, ANY ONE?

It has been said that the history of cinema is also a history of exciting, adventurous and celebrated love affairs. Dead right. And for excelle...