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THE QUIET FIRE OF BECOMING

In conversation with Omara Shetty—Vinta Nanda explores her journey from journalism to acting, her craft, authenticity, a...

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IT’S A CONSTANT BATTLE – RAHI ANIL BARVE

The creator of the belatedly lauded Tumbbad, Rahi Anil Barve, who continues to be a warrior for the cause of experime...

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CINEMA THAT BREATHES IN STILLNESS

An evocative evening of French and German short films in Mumbai explores stillness, abstraction, and instinctive storytelling, as filmm...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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DELHI’S GRAND CINEMATIC AMBITION

Delhi government sets the tone for a city-wide celebration of film, culture and film tourism, unveiling a global festival that...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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AMITABH BACHCHAN: HINDI CINEMA’S DARK EDGE

The Greatest villain that Hindi films could not have…though one is not complaining about what one got instead. Sharad Raj explor...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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TRENDING: AFTER ZUBEEN, A CULTURE REORGANISES ITSELF

Utpal Datta reflects on Assamese culture after Zubeen Garg, tracing legacy, rupture, and renewal across music, cinema, and sta...

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