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RETROSCOPE: HIS ENDURING LEGACY IN BENGALI CINEMA

Celebrating the quiet brilliance of Anup Kumar—Bengali cinema’s everyman—on his birth anniversary. A master of nuance, humour...

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BUSINESS: IS BRANDING YESTERDAY? PASSE? DEAD?

A Radical Take on Branding: Monojit Lahiri endeavours to unravel a new-age, revolutionary, path-breaking philosophy put forth ...

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ALTERNATIVE ENTERTAINMENT: REMEMBERING RITUPARNO

Gone but forever remembered is Bengal’s – and India’s – late and classy filmmaker Rituparno Ghosh. On his 12th death an...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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BOLLYWOOD: THE SCENT OF KHUSHBOO LINGERS

Gulzar’s Khusboo is a poignant cinematic journey through memory, grief, and poetic storytelling—where emotional subtlety, ...

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POLITICS: PEACE DEMANDS MORE THAN PROGRESS

Despite global advancement and innovation, persistent political power struggles and inequality continue to fuel violence and fear. The Pahalgam...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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MOVIES: DEATH BY DESIGN, BUT NOT QUITE

Inspired by a global star’s interview, Srijit Mukherji’s sequel to Hemlock Society teems with puns, pop culture, and philo...

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MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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