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HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

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MAHABALI: M. K. Raina’s Theatre!

Aparajita Krishna reviews the latest MK Raina play Mahabali and discusses its significance to these times when a distorted int...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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Decolonizing The Caste Question

Vanshika Bhagat discusses the present status of Dalit converts to Islam and Christianity vis-a-vis reservation, which endeavor...

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Hope and Glory

Film historian Dhruv Somani narrates the long and fulfilling journey of Asha Parekh, also known as The Hit Girl who has just b...

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STREET PROTESTS & GROUND REALITIES

The country’s youth on the streets, protesting against the newly introduced recruitment scheme to the armed forces, Agnipath. With unempl...

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Tum kya History Parathe ho?

Humra Quraishi writes: Words like riots and rioting hit you hard, because they announce another round of destruction of human ...

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Abanindranath Tagore: The enigmatic original who wrote art and painted words

The founder of the Indian Society of Oriental Art, Abanindranath Tagore’s work defies any straightjacketing, writes Shantanu Ray ...

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Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

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His own terms: Sharad Raj

Ek Betuka Aadmi Ki Afrah Raatein is now streaming on Eventscape Vod Platform. Vinta Nanda has a chat with director Sha...

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