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WHY INDIAN TELEVISION IS FAILING

Vinta Nanda examines the sharp decline in Indian television viewership, exposing outdated storytelling, stagnant formats, and ...

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INDIA’S IDENTITY DEBATE MEETS CULTURE

When Identity Is Policed and Culture Is Celebrated: India’s Strange Inflection Point. As India debates identity through new legislation, ...

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INTIMACY & TECHNOLOGY – FRENEMIES??

Monojit Lahiri explores how technology has reshaped intimacy and interpersonal communication, examining generational divides, ...

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NOW STEPPING INTO HISTORY

Khalid Mohamed’s conversations with actor-turned-director Riteish Deshmukh over time, with an update on his most ambitio...

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A TIMELY DIALOGUE AT IFFD 2026

A powerful panel at IFFD 2026 brings together leading independent filmmakers to examine opportunities, challenges, and the evo...

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BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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DELHI RECLAIMS CINEMA AND CREATIVE DIALOGUE

Anchored by Artistic Director Vani Tripathi Tikoo’s powerful reflection, IFFD 2026 marks Delhi’s cultural resurgence through independent cinema...

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WAR AND PEACE IN CONFLICT

In an age of shifting power, contested truths, and invisible wars, this reflective essay by Vinta Nanda explores the meanings of war and peace,...

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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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IFFD 2026 OPENS GLOBAL DIALOGUES

IFFD 2026 - A Festival of Dialogue, Discovery and Global Exchange: With Oliver Laxe’s Sirât opening and S...

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