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An anthem and counter-anthems: Pyaasa

This was written during the years, to be precise 2017, when playing the national anthem before movies was mandatory in halls, writes Ju...

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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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A Book of Tiny Flames

And each flame melting in its own heat, writes Janaky Sreedharan in her review of the book A Red-Necked Green Bird

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A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its d...

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Poverty Rises: Millions Pushed Out of Middle Class

According to a report by Pew Research Centre, during the 2020 pandemic 32 million people were pushed out of the middle classes in India, report...

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Sign of the times: Helpless Spectators

I wish I was a poet - with that, I could have unleashed my anguish and anger in verse, writes Humra Quraishi

Those hidden thrillers!!

Film historian Dhruv Somani, checks out the engrossing thrillers of the 1970s, which went under the cracks since they flopped....

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My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

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The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...

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Homes, Bollywood Homes

Khalid Mohamed writes on some of the impressive star homes in B-town.

There’s somet...

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