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BOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE

Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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INNOVATIVE DESIGNS MEET SUSTAINABLE SOLUTIONS AT AIYANNA 2023

Hosted by Whistling Woods International School of Fashion, the fashion graduation showcase celebrated students’ creativity and commitment...

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RED, BLUE, GREEN, YELLOW, BLACK AND WHITE

In a social media world teeming with every banality that goes for poetry, Prerna Gill’s is a refreshing voice that does not pander to eas...

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The lives of Freda

Humra  Quraishi visits Andrew Whitehead’s book ‘The Lives of Freda - The Political, Spiritual and Personal Jo...

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Speak, for your lips are still free…

As Eid-ul-Fitr is to  be  observed next week, let me write about one of my earlier meetings with the late Khwaja Hasan Sani Nizami, w...

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Hindu Khatre Mein Hai

Humra Quraishi looks at how the many things that threaten India are not being addressed by the media, and the things that don&...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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The Simran Magic

Khalid Mohamed zooms back in time to share his discussion with Kajol, on her imperishable performance as Simran, with Shah Ruk...

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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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