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THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

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WHEN SAI FOUGHT FOR WRITERS’ RIGHTS

Khalid Mohamed revisits Sai Paranjpye’s battle over Chashme Buddoor, exposing how India’s screenwriters continue s...

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GULZAR’S LEGACY LIVES THROUGH WALKING

Prof Dr Avinash Kolhe chronicles the Gulzar Walk, an evocative literary heritage initiative by Urdu Markaz Rehguzar, celebrati...

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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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SAATH TERA: POETRY BECOMES SONG

Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, an...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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BATWARA 1947 REVIEW: SHABANA AZMI

BATWARA 1947 REVIEW: SHABANA AZMI

Every nation carries within it a wound that hi...

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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR  

On her 63rd Birthday, August 13, Monojit Lahiri traces the life and times of the late super-star Sridevi, whom neither age can...

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WHY WOMEN MUST CLAIM VISIBILITY

 Sushmita Chowdhary explores why women leaders must claim visibility, build auth...

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OHH MY DOG: LOVE, LOYALTY, LOSS

Canine Loyalty Meets A Darker Tale of Loss, Courage and Justice. Arnab Banerjee reviews Amit Rai’s Ohh My Dog, a heartfe...

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