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Human Rights

BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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Alternative Entertainment

TWO POWERFUL THEATRE REFLECTIONS

Sohaila Kapur reflects on two compelling theatre experiences — the experimental student production Rashk and th...

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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Alternative Entertainment

ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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Bollywood

BORROWED LOVE FADES TOO SOON

Film critic Arnab Banerjee examines Ek Din, a Hindi remake of the Thai romantic drama One Day, questioning whether its poignan...

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Alternative Entertainment

DR BHALERAO THEATRE LEGACY REMEMBERED

The Legacy Of Dr Bhalerao Lives On as Prof. Dr. Avinash Kolhe reflects on theatre, medicine, and institution-building, tracing...

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Festivals

SUI GENERIS: TEDxNMIMS RETURNS

AI Creativity Debate Takes Centerstage: The annual independently organised TED event at NMIMS Mumbai takes on one of the defin...

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Alternative Entertainment

THROUGH AN EYE CURIOUSLY INTERVIEW

In this insightful conversation, interviewer Khalid Mohamed engages photographer Chirodeep Chaudhuri on visual storytelling, B...

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Bollywood

BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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Powerful People

ESCAPING INTO REALITY: KETAKI SHETH

Ketaki Sheth, a renowned image-maker, with four decades of dedication to a wide spectrum of themes and subjects, who is curren...

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