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CRISPR: The Genetic Scissors Natural V/s Unnatural

CRISPR can help the cacao to become infection resistant and save it from extinction – so that we do not h...

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Takes tea to tango

A photo-essay by Ashis Ghatak on his tea-tasting spree ...

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Fast and Furious: Varun Inamdar

A secret I have to reveal, if I must go forward with this interview with Varun Inamdar, is that my bedtime stor...

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Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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To the country into which we were not born

“Twenty minutes ahead in the greatest terrorist attack of the year” – was Arnab Goswami&rsquo...

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Uff, that dance of chaos

Khalid Mohamed reviews the political askew Tandav, the heart-tugging Tribhanga and the pertine...

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Dreaming big for the vulnerable: Chhitra Subramaniam

Vinta Nanda thinks that one of the greatest pleasures of running The Daily Eye is that you wak...

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Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

...

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Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

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Signs of the time: The stream of freedom’s flood

With the passing away of writer Ved Mehta, I can only say that we have lost  not just a great writer but also a man with a definite person...

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