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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultALTERNATIVE ENTERTAINMENT: A POETIC DOCUMENTARY
This week it is O.P. Srivastava's tryst with temporality as he remembers Mani Kaul's documentary film, a masterpiece, Siddhesh...
Read MoreBOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?
Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...
Read MoreFESTIVALS: LIVE THE LIFE ABUNDANT “ONE GREEN PLANET”
There was a time when I would jokingly respond to the standard question by the host replying, ”No. I am a strict non-vegetarian&rdqu...
Read MorePOWERFUL PEOPLE: THE FAALTUGIRI TOUR
Janhavi Samant, a force to be reckoned with, hails from the vibrant streets of Dadar, also known as the cradle of India’s cinematic herit...
Read MorePOLITICS: HOW FAR WILL THEY GO WITH HATE?
Humra Quraishi condemns the targeted communal attacks on Muslims taking place repeatedly, and also introduces Sahar Zaman&rsqu...
Read MoreBOLLYWOOD: REMEMBERING MR CHARMER SHASHI KAPOOR
Monojit Lahiri figures out the several reasons behind Shashi Kapoors’ subsequent success across the sixties, seventies a...
Read MoreKALEIDOSCOPE: THE MUSICAL MAVERICK BY ASHIS GHATAK
Vinta Nanda talks to Ashis Ranjan Ghatak, biographer of ‘The Musical Maverick: The Authored Biography of Shankar Mahadev...
Read MoreALTERNATIVE CINEMA: THE CINEMA OF SOUND & CUT
"The Zone of Interest" and the cinema of sound and the cut is what Sharad Raj explores as he shares his personal experience wh...
Read MorePOLITICS: ALL IN THE NAME OF GOD
Humra Quraishi comments about empty promises being made in political speeches, the polarisation, and the harmful propaganda taking place for vo...
Read MoreTRENDING: WELCOME TO ‘OK, TATA BYE BYE’
Here’s a play that welcomes you to the experience instead of as its name suggests. ‘OK, TATA BYE BYE’, directed by Purva Nare...
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